Best post-punk songs with noisy synthesizers

Suicide's 'Frankie Teardrop' is a harrowing and influential track, showcasing their minimalist and confrontational electronic sound. Its raw, proto-punk approach with abrasive synthesizers and drum machines was groundbreaking for its time.

She Past Away is known for its darkwave/gothic rock sound with prominent, often melancholic but also sharp and driving synthesizers. 'Ritüel' creates a dense, atmospheric, and sometimes abrasive texture.

This iconic track by Tubeway Army, fronted by Gary Numan, is a quintessential example of early synth-driven post-punk. Its cold, angular synthesizer melodies created a futuristic and detached atmosphere, defining a new electronic sound.

While later than classic post-punk, Six Finger Satellite's 'Simeon Fever' is cited for its aggressive, noisy, and fast sound with prominent, abrasive synthesizers. It blends post-punk with noise rock and industrial elements.

As pioneers of industrial music, Cabaret Voltaire extensively used electronic instruments and experimental techniques to create abrasive soundscapes. 'Nag Nag Nag' is a raw, rhythmic track with unsettling electronic textures.

Molchat Doma gained popularity for their coldwave/post-punk sound, characterized by stark, repetitive, and often melancholic synthesizer melodies. 'Sudno' feels both atmospheric and abrasive due to its raw production.

Xeno & Oaklander are celebrated for their minimal synth and coldwave, utilizing analog synthesizers to produce raw, often haunting, and sometimes noisy electronic textures. 'The Light, The Whisper' is deeply rooted in early electronic experimentation.

D.A.F. pioneered a stark, rhythmic, and aggressive electronic sound, blending punk energy with synthesizers and drum machines. 'Der Mussolini' exemplifies their forceful, almost industrial feel with driving, repetitive synth lines.

Drab Majesty represents a contemporary take on post-punk, crafting 'spacey electro post punk' with atmospheric and often shimmering, yet piercing, synthesizers. 'Dot in the Sky' showcases their intricate electronic soundscapes.

The Screamers were legendary for their synth-only approach to punk, eschewing guitars entirely. Tracks like 'Vertigo' showcase their frantic, aggressive, and theatrical sound, created solely with sharp, piercing, and chaotic synthesizers.

Sextile blends raw punk energy with electronic elements, featuring driving rhythms and sharp, often distorted synthesizers. 'Current Affair' showcases their direct and impactful synth use, contributing to a high-energy, dance-punk sound.

Kontravoid delivers a dark, industrial-tinged post-punk sound with heavy, often distorted synthesizers and a menacing atmosphere. 'Native State' exemplifies their powerful electronic textures and aggressive synth use.

John Maus's music often features lo-fi production, distorted vocals, and prominent, sometimes jarring or 'noisy' synth lines. 'Head For The Country' blends elements of synth-pop, post-punk, and experimental music.