Hidden gems in The Cure's discography

This song is a perfect example of The Cure's ability to combine catchy melodies with gloomy lyrics, a hallmark of their sound. Its sharp synthesizer music and dark lyrics make it a fascinating and representative piece of their style.

Although not part of a studio album, this dark and powerful song was created for the soundtrack of the cult film 'The Crow'. It is much loved by fans for its intensity and its connection to an iconic film, showcasing the band's ability to create dark and emotional atmospheres.

This is one of the favorite B-sides from the 'Kiss Me, Kiss Me, Kiss Me' era. The B-sides from this album are highly valued by fans, and this song is an example of the wealth of material the band was producing at the time, demonstrating their creativity beyond the hits.

Although 'Pornography' is an iconic album, this track is often overlooked compared to others, but it is praised for its atmosphere and depth. It is a key piece in The Cure's darker side, deserving greater recognition.

This dramatic and adventurous instrumental showcases an early and experimental facet of the band, different from their punk-Beatles sound of the era. It was a frequent closing track in their live performances in the late 70s, demonstrating their ability to create captivating atmospheres.

Described as one of The Cure's most cheerful songs, it's an explosion of energy with frantic and upbeat guitars. Many consider it an essential track from 'The Head on the Door' era and a perfect bridge between albums.

This song features The Cure with a distinctive New Wave sound, different from what they would do before or after. It's a testament to the band's early versatility and their foray into this genre, making it a unique piece in their catalog.

This highly acclaimed B-side from the 'Disintegration' era is considered by many good enough to have been on the album. It captures the melancholic and dense atmosphere of that period, being a constant fan favorite.

Another standout B-side from the 'Disintegration' era, this song is frequently mentioned in discussions about The Cure's best B-sides. It offers an emotional depth similar to the main album tracks, enriching the experience of that period.

Considered one of the band's most gothic songs at the time, with a dense and dark sound. It represents The Cure's more experimental side during their most acclaimed period, 'Disintegration', and is a gem for lovers of their gothic sound.

Described as 'dreamy' and with hit potential, this B-side from the 'Wish' era stands out for its ethereal atmosphere. Fans believe it could have been a single in its own right, which underscores its quality and melodic appeal.

This song was considered by guitarist Porl Thompson as his favorite among the 'Wish' B-sides. It is another of the bonus tracks that many fans feel should have been on the album, offering comparable quality to the main album tracks.

Despite being on the acclaimed 'Disintegration', 'Last Dance' doesn't always receive the recognition it deserves. It is considered the precursor to 'Same Deep Water as You' and praised for one of the most incredible and unforgettable guitar tones, being an atmospheric and emotional gem.

This is one of the incredibly good deep cuts from 'The Head on the Door' album. This album is balanced with great singles and excellent lesser-known tracks, and 'Six Different Ways' is an example of the quality of the latter, showcasing the band's musical diversity.

Although 'Wild Mood Swings' is an album that even Robert Smith has 'abandoned' to some extent, this track is a notable exception. It 'drives like a great Cure single', with high notes and a final message of love, offering the band's characteristic energy and feeling.

This is one of The Cure's most moving songs, with acoustic guitar and violin arrangements, conveying the bitterness of discovering a lie. It's an emotionally raw piece that highlights Robert Smith's ability to evoke deep feelings.

This song is catchy and strange, with a powerful synth riff and Smith's repetition of 'dancing, dancing'. Although not the deepest B-side, it's fun and shows the band's peculiar side, proving that even in their most 'mad pop' phase, The Cure was still excellent.